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The term was taken up shortly after by the Myron Kosloff title Dominatrix (with art by Eric Stanton) in 1968, and entered more popular mainstream knowledge following the 1976 film Dominatrix Without Mercy.

Although the term "dominatrix" was not used, the classic example in literature of the female dominant-male submissive relationship is portrayed in the 1870 novella Venus in Furs by Austrian writer Leopold von Sacher-Masoch.

The term domme is a coined pseudo-French female variation of the slang dom (short for dominant).

The use of "domme", "dominatrix", "dom", or "dominant" by any woman in a dominant role is chosen mostly by personal preference and the conventions of the local BDSM scene.

), is a woman who takes the dominant role in BDSM activities.

A dominatrix might be of any sexual orientation, but her orientation does not necessarily limit the genders of her submissive partners.

"Female dominance", "female domination" or "femdom" refer to BDSM relationships and BDSM scenes in which the dominant partner is female.

In this scene, the strict dominatrix has stripped the submissive and is caning her buttocks for not playing the violin properly. The history of the dominatrix is argued to date back to rituals of the Goddess Inanna (or Ishtar as she was known in Akkadian), in ancient Mesopotamia.

Ancient cuneiform texts consisting of "Hymns to Inanna" have been cited as examples of the archetype of powerful, sexual female displaying dominating behaviors and forcing Gods and men into submission to her. Nomis notes that Inanna's rituals included cross-dressing of cult personnel, and rituals "imbued with pain and ecstasy, bringing about initiation and journeys of altered consciousness; punishment, moaning, ecstasy, lament and song, participants exhausting themselves with weeping and grief." The profession features in erotic prints of the era, such as the British Museum mezzotint "The Cully Flaug'd" (c.

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