Top Keywords from Search Engines The table shows the top keywords that sent traffic to this site from major search engines over the past 6 months. Upstream Sites Upstream sites are sites that people visited just before they visited this site.
Note that this list is not the same as referrals from upstream sites.
For other sites, we display the estimated number of unique visitors from up to 6 countries, when sufficient data is available (Advanced plans only).
Audience Geography The audience geography data describes where visitors to this site over the past month are located, and how the site is ranked in popular countries. Engagement metrics help you understand how interested a site's visitors are with the site's content.
absurd / Jon Lewis -- Movies and the crack of doom / Barry Keith Grant -- Movies and the search for proportion / Murray Pomerance -- Movies and allegories of ambivalence / Adrienne L. The Bond villains and Cold War heroism." In: The Devil himself : villainy in detective fiction and film / edited by Stacy Gillis and Philippa Gates. 73 "As Red as a Burlesque Queen's Garters: Cold War Politics and the Actors' Lab in Hollywood." In: Headline Hollywood : a century of film scandal / edited by Adrienne L. Issues addressed include the moral aspects of human experimentation, the film industry's production of Cold War films in conjunction with the US government, and actual cases of atomic testing on humans." [Expanded Academic Index] Nuclear Movies: A Critical Analysis and Filmography of International Feature Length Films Dealing with Experimentation, Aliens, Terrorism, Holocaust, and Other Disaster Scenarios, 1914-1990 / by Mick Broderick; with a foreword by Helen Caldicott. [FIAF] British war films of the 1950's and early 1960's have been largely ignored by scholars. "The Ideology of the 'Red Scare' Movement: Mc Carthyism in the Movies." In: Beyond the Stars / edited by Paul Loukides and Linda K. 1926) produced and directed for Hollywood's American International Pictures a succession of surrealist, absurdist, and socially critical films. "Science fiction movies of the 1950's, as close examination of the cinema adaptation of H. Wells' War of the Worlds illustrates, were metaphoric vehicles for social commentary.
Mc Lean -- Movies and the racial divide / Arthur Knight. This article seeks to provide an exploratory discussion of the cultural and ideological significance of World War II narrative in British. Ostensibly aimed at the studio's teenage market, they subsequently became film cult favorites." [America: History and Life] "Space for Resistance: The Disruption of the American Frontier Myth in 1950s Science Fiction Films." In: Space and beyond : the frontier theme in science fiction / edited by Gary Westfahl. They reflected the social values believed to be in hazard during the Cold War and underscore the role popular culture plays in the assimilation of values and change." [America History and Life] "The conception of the body as a collection of rebellious parts is a popular one in a certain set of horror films of the 1950s [H]and early 1960s.
Categories with Related Sites These are the categories that this site is in.
The complete list of sites linking to this site is available to Alexa Pro subscribers."We'll follow the old man": the strains of sentimental militarism in popular films of the fifties." In: Rethinking Cold War culture / edited by Peter J. [FIAF] Hollywood genres and postwar America : masculinity, family and nation in popular movies and film noir / Mike Chopra-Gant. These films reflect the popular understanding of genetics, DNA, [H]and heredity, a discourse that greatly influenced the conception of the body. "Pods, blobs, and ideology in American films of the fifties." In: Shadows of the magic lamp: fantasy and science fiction in film / Edited by George Slusser and Eric S. : post-holocaust novels and films, 1946-1964." In: Monsters, mushroom clouds, and the Cold War : American science fiction and the roots of postmodernism, 1946-1964 / M. 95Monsters, mushroom clouds, and the Cold War : American science fiction and the roots of postmodernism, 1946-1964 / Westport, Conn. Contributions to the study of science fiction and fantasy ; no. : space exploration and alien invasion films of the long 1950s." In: Monsters, mushroom clouds, and the Cold War : American science fiction and the roots of postmodernism, 1946-1964 / M. Yet the emergence of a rebellious youth culture in the middle of the 1950s challenges the notion that America was a 'consensus society' and exposes the limitations and fissures of the white middle class hegemony that the containment narrative worked to legitimate.Learn more about Alexa's Data Unique Visitors and Pageviews The number of people who visit this site and the number of pages they view.Site owners who install the Alexa Certify Code on their website can choose to display their Certified Metrics, such as Monthly Unique Visitors and Pageviews, if they wish.